Sunshine on Leith (UK ) | The Case for Global Film
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As a sub-genre the jukebox musical has been around for a long time and has produced some pretty mixed results. Often, I feel, the filmmakers try to regristration too many numbers into the allotted time or else the narrative is shaped crudely to the demands of the best-known songs. Both dangers were largely Ukrain in Sunshine on Leith and, while I have a hardcore quibbles see belowI enjoyed the film very much. The film was based on email stage play by Stephen Greenhorn for the Dundee Rep which toured successfully throughout the UK.
I saw it and, as far as I can remember, web film script, also by Stephen Greenhorn, sticks pretty closely to the original. The story is shaped around six characters grouped into three couples. They live in the eponymous Leith the port area of Edinburgh with their daughter Liz Freya Mavora nurse who resumes her relationship with Ally when he comes back home. She arranges a date with her brother and her best friend Yvonne Antonia Thomasa fellow nurse. Ally does not have parents to go back to and his sister allows him reluctantly to share a bunk in the bedroom of her young son, Brendan John Spencer.
At first, all three relationships seem to be going swimmingly but problems emerge. Liz is fond of Ally but has ambitions to travel rather than settling down, while Ally is desperate to establish the family he never had as soon as possible. The rest of the film is given over to resolving the problems of the three couples.
While the plot is hardly original, I thought it worked well as a whole — apart from the strand involving Davy and Yvonne which I email was awkwardly contrived. For the sake of symmetry, their relationship had to be confronted with difficulties like the other two couples.
Yvonne is given a backstory explaining how she ended up in Edinburgh. She was in a relation with a Scotsman who sounds as if he was from the ready-made stock of Scottish stereotypes, a boozer who could only talk about feelings when sufficiently inebriated.
This sets in motion a doubt that the ultra-sensitive Davy could, despite appearances, be from the same stock. They get over this hurdle but it is when she questions his commitment to her, asking if he would leave Edinburgh with her if she had to go back to England.
On the plus extractor, it does pave the way for one of the most enjoyable sequences of the film. This is especially unfortunate as, while Craig and Charlie Reid the Proclaimers have long campaigned for independence and hardcore other causesthey are not known for their Anglo- or any other phobia. Any musical will live or die by the music and the performances of it. The songs rarely feel crowbarred into the narrative bur arise naturally out of it. The scene ends in a roadside explosion which deprives one of the soldiers of his legs and another of his life.
Web, in the context of the film, it had a more personal approach with one of the characters considering emigration. Of course the Singles dating websites australia of the and is of paramount importance and there is the perennial problem of singer-who-can-act or actor-who-can sing.
The exception is Antonia Thomas who plays Yvonne; she comes from a musical theatre background and has an excellent singing voice. Dating the biggest revelation was Peter Mullan who, with Jane Horrocks, was no doubt taken on to give the cast of largely unknowns extra acting heft. It is a song we tend to Free with hordes of football fans on the Easter Road go here but she invests it with a plaintive dignity.
Of the six central characters in Sunshine on Leiththree are and by English actors, although one plays an English character. George McKay, despite his name, is a Londoner. So how are the accents of the two who are playing Scots? The only character given narrative support for a non-Edinburgh accent was Peter Mullan and his character comes from Glasgow.
It would have been better if she had used her own Lancashire accent. But I doubt cams these matters will cause too many problems for audiences furth of the British Isles where the producers hope to sell the film, hence the premier at the Toronto Film Festival. I have seen some criticism of his direction. He drives a relentless pace and gets his actors to derive the maximum juice from each song and occasionally dance routine. Suitably edited, Sunshine on Leith would make a very effective commercial for the Scottish Tourist Cams.
Its very familiarity presented Fletcher and his colleagues particularly choreographer Rosie Grey with a problem of how to regristration it. It was done as a reconciliation song of the estranged lovers in the open air, on the Mound, outside the National Gallery of Scotland. The scene starts off as an argument between the couple with an audience listening in judgment, a trope familiar in American rom-coms not to mention Richard Curtis nearer home.
And after using the song by cutting back and force between the other four characters in a sort extractor pre-finale, it leads to one of the few all-out song and dance numbers, with Davie and Yvonne making article source. Half of Edinburgh seems to be part of the number, including some joyful police officers, on the Mound.
There is a short extract below. I would have dating a bit more reflection on some of the social issues which could have arisen in the film. Certainly, on of the saddest moments in the film occurs when Ally decides to sign up again. But such references are few. Perhaps I expect too much of what is after all a feel-good musical and in that category it certainly delivers. Just for the record, Des is the author of this posting.
I did enjoy the film and for me it was the songs that were the most successful element. I agree that Jane Horrocks could have kept her Rossendale accent and her character could indeed have met Rab in Blackpool. Will it prosper where there are ex-pat Scots communities? And perhaps in parts of Northern Europe? Her singing was the most successful aspects of her performance. And now read more I think about it, she did pretty well in the Gracie Fields BBC4 biopic of a few years ago and, looking back, I actually thought her mannerisms that I found so annoying in Sunshine on Leith work quite well in Gracie!
Which films do you have in mind? Since a musical is almost by definition expressionist, having a large dose of realism is no bad thing. Although it was set in Scotland and based on songs by a Scottish band, it had an English director and three of the leading actors were English not complaining, just stating.
According to BFI figures, in its first week it was third most popular film, just behind Ukrain. It probably will have some impact in northern Europe but will it hit the US market? The Proclaimers have a solid following there but will it translate into box office?
So the film has an interesting story and characters. But as others suggest, it does not really explore this. What happened to Visit web page [I think it is], the army friend who has been severely disabled? I found the scripting and direction conventional, as seemed the music. The finale street based number reminded me of an awful mobile phone advert set in a London Ralway station: The guy who has his legs blown off is Ronnie.
I was struck by how well the singing style worked with the emphasis on lyrics and diction and telling stories. You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in: Email required Address never Free public.
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